The Princess and the Frog

2009

Action  Adventure  Animation  Comedy  Family  Fantasy  Musical  Romance  

181
Rotten Tomatoes Critics - certified fresh 85%
Rotten Tomatoes Audience - upright 74%
IMDb Rating 7.1

Synopsis


Uploaded By: OTTO
January 15, 2013 at 8:36 pm

Director

Cast

John Goodman as 'Big Daddy' La Bouff
Keith David as Dr. Facilier
720p 1080p
700.68 MB
1280*720
English
G
23.976 fps
1hr 37 min
P/S 19 / 211
1.35 GB
1920*1080
English
G
23.976 fps
1hr 37 min
P/S 11 / 91

Movie Reviews

Reviewed by n/a 9 / 10

And with the brilliant light of Cajun Fireflies, there is a ray of hope in the world ...

As a young female twenty-something, my 90's childhood was shaped by the Golden Age of Disney. Every year, there would be a new masterpiece for my mom to take me to; Little Mermaid, Beauty and the Beast, The Lion King, Aladdin ... And when Disney failed so terribly in the early millennium and closed down shop, my heart was broken. There was a part of our culture and my life that my little girl I someday hope to have was never going to be able to experience, and I was never going to get back.So as soon as I heard that Disney was coming out with their triumphant return to 2-D, I felt like the world was FINALLY getting its act together.While CGI has produced some good hits, it isn't the same as 2-D. There was no one who could do cartoons like Disney, and I think they began to realize that.I can honestly say that this movie is brilliant. I saw it last night, and it's still haunting me twenty-four hours later like I'd just walked out of the theater. If this movie had been A.) racist or B.) a let down, I would have been very angry and wouldn't take the time to write out this review. But my God, it was right up there alongside "Beauty and the Beast" and "The Lion King." Tiana, the long-awaited princess of the film, is a (gasp) real person! Her whole life does not revolve around getting married to the prince, nor does it involve some odd and harried "I'm totally a hardkore awesome person" plot. She has her faults. She's brash, a workaholic, and kind of a judgmental jerk. However, she is also headstrong, loving, and ridiculously intuitive. This is the sort of woman we need in a Disney cartoon for our kids to look up to, especially when the best role model they've had in the past few years is Bella Swann.The prince, Naveen, is also an actual human being. He's cocky, spoiled, and hilarious. However, as the movie goes on, it is made quite clear (in a song by Randy Newman) that Naveen isn't happy at all. His and Tiana's relationship is based on self-discovery and mutual respect, rather than some of the other Disney movies where it is completely based on the need for a romantic plot. I see Belle and the Beast and Shang and Mulan (pre Mulan II, we can pretend that sequel doesn't exist), rather than Cinderella and Prince Charming. It seems like "Enchanted" really did bring a lot of new ideas to the Disney creed, and it completely shows in the way they tackle their archetypes in this refreshing rendition.I was skeptical when I heard Randy Newman had composed the music. And yes, folks, it is in fact musical style. The characters sing, not Randy. And while you can still tell it's Randy, it's also Disney. The jazzy complexity of the songs drive the story forward and just wrap you up into the buzzing momentum of the film. I will definitely grab this soundtrack and play it religiously on my ipod, I promise you that.As for the racism: It's Disney and regardless of what Disney does, someone is going to find something to point out as racist. However, let me just say that this movie is completely respectful and absolutely nothing in it is racist, to the point where it is obvious that Disney is trying their hardest NOT to be racist and cuts corners on the storytelling and historical racism that WOULD have been in New Orleans in 1920 (and to an extent, yes, still is). And as for turning Tiana into a frog ... she's a human for a good half the movie before she even thinks about kissing Naveen. She's a black princess, she's not a frog princess.I also saw a comment about how someone didn't like it because of the non-Christian message thanks to the use of voodoo? They were so busy looking at the BAD GUY use voodoo that they didn't realize that Terrence Howard's character was pretty much a walking sermon! "You can wish on a star, but that can only take you halfway?" Where does this sound familiar? "Never lose sight of what's most important ... love." My God, the complete non-Christian message is abhorrent! The star is used as an allegory for God, and they wish on it with their hands folded ... practically one could say praying? And let's not even go into the full moral of the story: "You know what you want, but dig a little deeper and find what you need." How about that whole thanking God for unanswered prayers sort of ideal? These are good and wholesome lessons that are going to really strengthen the next generation of both boys and girls, and I'm happy that it's going to be an influence on the younger generation.And the writing is amazing. As someone who writes for a living, I was completely floored at the structure of this film. You cover so much ground in 90 minutes, and you are never bored nor know what's going to happen next! Disney knows what they're doing (finally) on this film. It's amazingly put together, and all the trademarks you expect to see (animal sidekicks, creepy awesome villain, amazing soundtrack, knockout visuals, strong heroine) are there in full. Go see this movie, and remember how it was to be a kid again. This is an experience you absolutely need to have."Princess and the Frog" is here to stay.

Reviewed by n/a 9 / 10

Ladies and Gentlemen, the Disney Renaissance has returned.

Michael Eisner will forever be known as the man that attempted to totally kill Disney animation. After the disastrous efforts of Home on the Range, what was once a staple of the Walt Disney Company was becoming a thing of the past. Traditional animation was dead in Disney, and this was definitely one of the major contributors towards the shift in upper-upper management and his departure. Now with Pixar and John Lasseter on board, Disney pulls absolutely no punches in their return to tradition. There's a new princess, she happens to be black, and they happen to twist a classic story so much that you have literally no clue in which direction the writers were going. The major question is: can Disney revive its Renaissance quality that it experienced in the 90s? Can they ever duplicate such magic again? The answer is a resounding yes. Princess and the Frog is the best traditionally animated flick (from ANY company) since The Emperor's New Groove. Princess Tiana is the most sophisticated and most mature Disney princess since Belle. The villain here is the best since Hades from Hercules. Prince Naveen is the best prince since Prince Eric (and even then, Naveen is one of the better princes out there). The music here is actually some of the best music from any Disney movie past and present. The animation here is the best since The Lion King. Basically, to sum things up, Princess and the Frog is an excellent effort from Disney and a superb return to Renaissance quality that the company sorely missed and needed.The movie focuses on a hard-working waitress (Anika Nosi Rose) that is saving money to open up her own restaurant, which was a dream her father had always been chasing. Her father also taught her that it's not enough to just wish for something, you have to also work to accomplish what you want in life. Tiana lives her life on this lesson, much to the disdain of others. After a few twists and turns (I don't want to spoil the plot too much), she becomes a frog thanks to Prince Naveen (Bruno Campos), whom is a prince that is very different from the norm in terms of personality and even royalty status. Along the way they will meet a wide assortment of characters, ranging from a charismatic magician (Keith David, in an amazing role), a friendly firefly (Jim Cummings), a music-loving alligator (Michael-Leon Wooley), and many others. The movie clocks in at less than 100 minutes, but moves at such a fast pace, you'll get a lot more material than your average hour-and-a-half movie.Let's just put this out there: Disney treated Tiana and her surroundings perfectly and without overdoing any boundaries whatsoever. New Orleans has an incredibly energetic look, and just enhances the themes and plot of the movie. Accompanying the Louisiana flavor is the incredible score of Randy Newman, which uses a wide variety of sounds and genres from the Deep South (and also is mixed in with a little Newman touch).Can we praise the animation one more time? Sure, why not. The movie looks absolutely beautiful, and doesn't rely on just a simple palette of colors. Thanks to technology and an obvious overload of effort, this is one of the most (if not the most) colorful and vibrant-looking Disney animated movies of all-time. Some of the added computer effects only enhance the sophistication of the animation (I rhymed). One final note, the visual humor in Princess and the Frog is very fast-paced, to the style of the severely underrated Emperor's New Groove. You need a watchful eye on certain scenes to catch all the jokes.If there was anyone that was going to save Disney's traditional animation, it would be Ron Clements and John Musker. These two were the most responsible for the Disney Renaissance, directing Little Mermaid, Aladdin, and Hercules. They once again provide a beautiful story, and direct the movie with plenty of flair and energy. The musical sequences fit the pacing of the flick, and while there wasn't an outstanding track like "Be Our Guest," "Friend Like Me," or "Under the Sea," the repertoire of musical numbers overall was quite impressive. A key part to a great animated movie is having a villain just as complex and/or engaging as the heroes; and the "Shadow Man" not only has the best musical number, but also has the most flair of any of the supporting characters. Now we can forgive them for directing Treasure Planet.The biggest reason for the successful quality in Princess and the Frog comes from the Pixar touch. Pixar obviously lent a hand here, as this movie contains some of the most sentimental and touching animated footage since the epic heartbreak moment in Lion King when Simba sees Mufasa motionless. While the movie never nails the emotional torture that Up succeeded (then again?few films ever will), Princess and the Frog will make you cry just as easily as it can make you laugh. Don't let that bring you down though, because this movie carries an upbeat tempo throughout the entire run.Bottom Line: If you enjoyed the Disney Renaissance (From Little Mermaid to Tarzan, before the downfall spiral started), then it is up to you to watch this movie. This movie has all the energy, quality, sentimentality, and superb animation of the 90s Disney flicks, and is inches away from Pixar status. Pixar has saved Disney altogether, and Princess and the Frog is hopefully going to save Disney traditional animation, granted it gets the praise and success it truly deserves. Unlike what we have been seeing in the past, Disney did not half-arse this time. Blending the old-school qualities with a new-school outlook on where the status of animation and storytelling is headed, Princess and the Frog is a fun, entertaining, and fulfilling ride from start to finish.

Reviewed by n/a 9 / 10

A Disney comeback for sure!!

Wow. That's one word to sum up everything about this movie: Wow.Since Emperor's New Groove, Disney slowly went downhill until it was nothing but low-quality crappy sequels and badly made CGI movies, not to mention nothing but teenybopper shows on the Disney Channel. As for Toon Disney, I think the people working there confused themselves with Cartoon Network and Nickelodeon; something that is not their style.However, Michael Eisner got fired and Robert Iger took his place as CEO of the Disney company, promising to get Disney back to the way it was supposed to be. Since then, I noticed improvements with movies like Enchanted and Bolt, but not to the point where everything was good again all of a sudden. I guess Eisner had some projects already set in motion that couldn't be stopped. But that was all right, because movies were the most important, and they would eventually get everything right.With The Princess in the Frog, what a movie to start another era out of the second Dark Age! This movie has EVERYTHING: great story, superb animation, great humor, excellent acting and singing, thought-provoking lessons to learn throughout the movie, the list goes on and on. I think it truly deserves its place as a true Disney classic. To top it all off, the newest Disney Princess, Tiana, has spunk, intelligence, and determinations. She is a great example for kids to look up to. She just needs to learn to relax once in a while, which Naveen teaches her. In return she teaches him that life isn't all parties and women.Movies like this make me realize that I can't wait for Disney to come out with greater stuff in the future, like Rapunzel in 2010. I am really curious for the stuff they will do in the future. They have already done so much, but there's so much out there that they haven't done yet. It's also interesting to see them write original movies like they did with Lady and the Tramp, Enchanted, and Bolt. I totally recommend it for anyone.

Reviewed by n/a 9 / 10

Fan-frigging-tastic

Just astounding. The story was genuinely touching, the intense scenes jumped out at you, the humor was funny, the acting was excellent, and the music was the best soundtrack of any Disney movie since The Little Mermaid (A standing ovation for Randy Newman). There is also something about the 2D animation - it just has more personality and emotion than CGI. I just saw it tonight, and I am honestly floored.Disney, for the last few years, has suffered from a lack of creativity. The movies have all been interchangeable with the same plot recycled. This one is different, new and really just the best animated picture I've seen in a long, long time. The applause in the theatre was very much earned.

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rrm39866 March 23, 2018 at 10:02 pm

thanks :)z