The Gauntlet


Action  Crime  Thriller  

Rotten Tomatoes Critics - certified fresh 75%
Rotten Tomatoes Audience - spilled 54%
IMDb Rating 6.4


Uploaded By: OTTO
March 19, 2021 at 10:01 pm



Mara Corday as Jail Matron
Sondra Locke as Gus Mally
Carole Cook as Waitress
Bill McKinney as Constable
720p 1080p
English 2.0
23.976 fps
1 hr 49 min
P/S 0 / 0
English 5.1
23.976 fps
1 hr 49 min
P/S 59 / 114

Movie Reviews

Reviewed by n/a 9 / 10

A chaotic road trip to justice!

A rundown cop who's always on the drink named Ben Shockley is assigned to accompany a foul-mouthed prostitute in Las Vegas to a protection program across the country in Phoenix to testify against highly placed authority figure, although first they have to get through a gauntlet of bad cops and the mob who actually want them both dead. So now the odds aren't in their favour, but Shockley is determine to do his job, no matter how big the odds are against them.Classic Eastwood is on show here people. Although, it's not one of his greatest nor particularly original. But this reasonably familiar cop / action film delivers what it intended to do by giving us a taut little road movie across baron landscapes with a tremendous amount of brutally fast-paced shootouts and grand chase scenes. I mean a lot! To sum it up, shootouts, shootouts and even more shootouts. Watch things go boom with a lot going on at such a furious pace! What more could you want? So you ask, why is this nothing out of the ordinary? Because this kind of thing wasn't particularly new within this era of films. There were definite shades of Dirty Harry; Eastwood's character Shockley was the exact opposite to Harry though. The one thing you'll notice is that there is no real excuse or depth behind the plot, but to stage one chaotic and stretched out shootout after another. Sometimes they feel like they go on forever! Nonetheless, they might be far-fetched and fail logic, but they're rather well set-up by director Eastwood. Giving us a sudden burst around each corner and because of that there's hardly a mundane moment? uh, maybe Eastwood did overkill certain shootouts, but it did get the blood pumping! So, when the "exaggerated" climax hits the screen - at least the film was consistent in that aspect. The performances were top-notch, with Eastwood's persona making any film his in watchable. He gives a stellar performance. Sondra Locke as Gus Mally was perfect. The chemistry between the leads was outstanding. The scathing and rough dialogue amongst them was a treat with great use of sarcasm and offbeat humour. The biting conversations truly built on the paranoia at hand with many top one-liners. This gives the film a buddy type of feel. Other key factors are the soothing blues soundtrack, well established camera shots that capture a beautiful landscape, but also the panic of the situation they face. While, there might be underlining themes running throughout the plot, I just didn't read too much into it. Just leave your brain at the door and enjoy the total chaos and destruction that follows with your screen being sprayed with bullets! Definitely recommended for fans of Eastwood and gritty action films.

Reviewed by n/a 9 / 10

Ridiculously entertaining

The challenge of playing the cop, Ben Shockley, in "The Gauntlet" was that the character was virtually the opposite of Harry Callaghan: he's a loser, a man resigned to doing twenty years in the force and then looking forward to collecting his pension? His car is full of empty whiskey bottles, his life is a shambles, he's never even been given a big case let alone solved one? He is sent from Phoenix to Las Vegas to 'bring back a nothing witness for a nothing trial'.The 'nothing' witness, Gus Mally, is not the man he expects; in the first place she's a woman, Augusta Mally, secondly she's a hooker, thirdly, despite her non-stop profanities, she's a graduate of Finch College and lastly ? and hereby hangs the tale ? she's not a 'nothing witness'. The mob who are to be tried will do anything to prevent her testifying? The dangers inherent in their journey together only slow1y become apparent to Shockley despite the fact that the Vegas police literally raze to the ground the couple's initial hideaway, while they remain inside almost to the last moment?Within the turbulent situation, Shockley and Mally manage to transform their original dislike for each other and each other's way of life into a love of sorts, in the 'African Queen type tradition.' As the couple begins to understand each other, they realize how their relationship could serve each other? She would no longer need to be a whore? He could regain his self-esteem as a policeman? Shortly before the final showdown Mally telephones her mother to say she has found her man; from then on there is an added imperative that they survive in order to give their love and their relationship a chance to work out?Sondra Locke achieved the improbably-written transformation from hooker to sociologist convincingly? But in this film, more than ever, Eastwood wasn't trying for any praise or approval from the critics; probably the reverse? The overkill is part of the entertainment' he claimed.' You just have to accept it on an outrageous level.' There were those who didn't? But these comments only served to inform Eastwood that at least he had been excessive enough to upset some people? It would be awful to think you're being outrageous and to outrage nobody? But Eastwood knew just how far he could take an audience with him? By surviving the unsurvivable, Eastwood proved to himself once more that the mass audience will suspend all sensible disbelief ? as they do in the best of the Bond films ? providing the action carries them and their fantasies along?In the context of many of his other films, "The Gauntlet" is hardly one of Eastwood's most substantial works? The appeal of an unlikely love affair between opposites, fertilized by an unceasing barrage of gunfire was undoubted1y considerable? But as a whole, the film tended to operate rather as an exercise in special effects than as any more considered piece of social statement of the kind that gave such strength to "Dirty Harry."

Reviewed by n/a 9 / 10

Clint runs "The Gauntlet" with a lady named Gus.

A one-time Steve McQueen-Barbra Streisand vehicle until McQueen met Streisand, and subsequently a Clint Eastwood-Streisand vehicle until Eastwood met Streisand, The Gauntlet sees Clint sending up his Dirty Harry image as a none-too-smart washed out drunken cop escorting Sondra Locke's foul-mouthed "nothing witness in a nothing trial" from Las Vegas to Phoenix and finding the Mob and every cop in two States determined to stop them - even the Vegas bookies are taking bets on ever-lengthening odds (70-1) on their not making it. From the days when Clint still made films in broad daylight and could film interiors without turning all the lights out and seen as wildly over the top at the time (even the famed Frank Frazetta poster art offered Clint as a Conan-esquire muscular figure in ripped shirt with girl in one hand and gun in the other), now it's almost an exercise in naturalism for the genre. Sure there's more firepower on display that in all of Eastwood's previous films combined (including both Where Eagles Dare and Kelly's Heroes!), with cars, houses and buses shot to pieces with gleeful abandon while helicopters crash into power lines, but somehow Michael Butler and Dennis Shryack's script manages to sell the increasing absurdities in a perfectly conceived audience picture that's designed to entertain and does just that.There's a nice line in self-deprecating wit that never quite crosses the line into outright stupidity and Eastwood's tight direction keeps the action moving without losing sight of the fact that it's the characters that really need to sell the film. Just as importantly the on screen relationship between Eastwood and Locke hadn't overstayed its welcome yet as it quickly would over their subsequent films, their initial vicious sparring giving way to genuinely convincing tenderness in the later scenes, giving you a pair you can actually root for. Great fun if you're not expecting gritty realism - like the end credit says, 'Law enforcement procedures depicted in this film do not necessarily depict those of any law enforcement agency mentioned herein.' No **** Sherlock.

Reviewed by n/a 9 / 10

Once again, Clint shows you why he's the best in the business.

This baroque and utterly implausible action drama subscribes to the over-the-top theory of movie making. Huge quantities of bullets, bikers and bad apples are unleashed on Mr.Eastwood, Ms. Locke, his remand witness, and us, the audience. Eastwood executes the gauntlet with great resolve and resourcefulness: he even knows how to fortify a bus with armored plates. Clint is in peak form and Locke will never again reach the heights that she does here. Clearly, the two have wonderful screen chemistry and would remain together as a couple for more than a decade. Watching the film today, I think there is a scene that went missing--or was cut. It occurred at the beginning of the movie and involved the sadistic police commissioner and Locke's prostitute. The scene is later described in great detail by Locke when she and Clint are on the lam in a desert cave. So where is it? My dad took me to see this "R" rated film on a bitterly cold night in early February '78--it was released in late '77. I think he was unaware of the rating because I did get an eyeful that night. Make sure you see this movie letterboxed in order to absorb all the destructive power and subtle artistry on display.

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ShowTime2019 profile
ShowTime2019 March 19, 2021 at 2:10 am

Elf needs food badly

claker profile
claker March 18, 2021 at 4:55 am

What’s about the 1080p version, please? By the way, thank you OTTO!!!